Commentary: What Niu Lai’s unlikely success says about Chinese internet culture
The crudely animated Chinese film "Niu Lai" became an unexpected box office success, reportedly earning over 30 million yuan after an initial slow start. Media scholars Fu Pengfei and Wenjun Zhao describe the audience behavior as "derisive following," where viewers participate in a collective, in-theater joke rather than seeking cinematic quality, according to Troy Chen of the University of Nottingham Ningbo China.
The phenomenon of "Niu Lai" suggests a shift in how Chinese internet culture engages with media. Rather than a pursuit of polished content, the film's success stemmed from its amateurish quality, which resonated with audiences seeking a sense of unfiltered agency. This engagement transformed individual viewing into a collective experience, fostering shared jokes and memes that enhanced the in-theater participation.
The film's appeal can be understood through the concept of *shanzhai*, traditionally associated with unlicensed copycat goods. In this context, *shanzhai* refers to content created outside established industry norms by individuals without professional expertise. The audience's appreciation for "Niu Lai" is rooted in this perception of it being an unauthorized, 'outside the system' creation, highlighting a cultural value placed on authenticity over technical perfection.
This trend reflects a broader sentiment in post-COVID China, moving towards independent creation and a "going out and doing something" ethos. The article draws a parallel to the nostalgia-driven viewership of classic anime like "The First Slam Dunk," where audiences sought a communal experience and participation, rather than just passively consuming content. This indicates a growing desire for shared, interactive cultural moments that transcend traditional entertainment consumption.
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